Archive for Alan Taylor

Review: Terminator Genisys

Posted in Film with tags , , , , , , , , , , , , , , , , , , , , on July 11, 2015 by Tom Austin-Morgan

Terminator-Genisys

There are only really two Terminator films in the eyes of most fans of the franchise, 2003’s Rise of the Machines (ROTM) and 2009’s Salvation were largely derided. So, six years after the last installment the Terminator is back.

Terminator Genisys is different from the previous sequels as it attempts to implement an alternate timeline after the confusion of the last couple of films. In the same way that JJ Abrams’ Star Trek successfully rebooted that franchise. This is also the first time Arnold Schwarzenegger has returned to the role since ROTM (his wobbly CG likeness in Salvation doesn’t count).

This is the role Schwarzenegger was born to play and he comes back strong in Genisys. He appears both as he looks now and how he looked back in the original 1984 film and delivers an interesting mix of stoic, robot-like dead pan mixed with some tongue-in-cheek slapstick and quips. His appearance is explained away because the skin on a Terminator is biological and ages. He is, obviously, what the filmmakers have hung the hopes of the film on and have put him front and center and surrounded him with actors that just don’t seem to pop in the same way that he does. Even after all these years, he still draws the eye which is a shame for his co-stars. But, without Schwarzenegger this film would have been really dull.

Matt Smith’s part is quite subtle and he doesn’t really play a part at all for the most part (Dr Who fans will be mortified to learn). Jai Courtney, as Kyle Reese, is a little on the wooden side and seems to have one facial expression throughout the film; as though he’s not quite sure if he’s left the oven on back at home. Emilia Clarke’s Sarah Connor is supposed to be tough and independent but still can’t help falling in love and relying on the male figures in her life. Jason Clarke plays John Connor, the prophetic leader of the resistance and child of Sarah Connor and Kyle Reese, and he really chews the scenery.

While attempting to avoid spoilers as much as possible the marketing campaign had totally ruined any plot twists, even giving away who the villain turned out to be, much to the chagrin of director Alan Taylor. Both the trailer and even the poster (not the one used on this review) gave away the secret that Taylor wanted to shock audiences with.

This is also why there is no reference to the plot in this review, but again, there’d be no point in doing that as the time-travel element has been needlessly pronounced and would take up far too much time to explain. What I will say is that the scenes from the first film that are either re-shot or worked in to this film are integrated really well, though Bill Paxton is seriously missed. But the problem with this and the T-1000 effects just make you want to watch Terminator 2: Judgment Day.

Needless to say, Terminator Genisys is not a patch on the original Terminator or Judgment Day, but it’s much more enjoyable than the other two sequels. In the way that Jurassic World is worth a watch but not very good, this is another film that’s fine while it’s playing but isn’t very memorable the further away you get from it.

Can Hollywood please start making some original films and leave the beloved one to remain brilliant without sullying their good names years later with disposable sequels like this, please? Thanks.

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Review: Thor: The Dark World

Posted in Film with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2013 by Tom Austin-Morgan

thor-the-dark-world

The latest in the never-ending march of the Marvel Studios films was released in the UK last Wednesday after what seemed like an age since the first trailers and leaked posters. And it’s landed with a clap of thunder.

A lot of familiar faces are back from the first Thor film as well as Avengers Assemble including Chris Hemsworth & Tom Hiddleston as the titular God and his tricksy half-Brother Loki, Natalie Portman, Kat Dennings & Stellan Skarsgård return as the group of scientists who are always on the lookout for the return of the extra-terrestrial Norse deities. The other Asgaardians are also back in the shape of Anthony Hopkins and Rene Russo as Odin and Frigga, Thor and Loki’s parents; Idris Elba as the gatekeeper, Heimdall and the Warriors Four; Sif, Fandral, Volstagg & Hogun played by Jaimie Alexander, Zachary Levi, Ray Stevenson & Tadanobu Asano respectively.

In fact, the only notable new face is one you probably wouldn’t recognise at first glance as he is hidden under quite a lot of make up and speaks the majority of his lines in Elvish & with quite a deep voice modulation: Christopher Eccleston plays the Dark Elf leader, Malekith, whose race ruled the universe under a dark veil before the Asgaardians defeated them and brought light back the Nine Realms. All sound a bit sword-and-sandals and less super hero-y? That’s because Kenneth Branagh has been replaced by Alan Taylor as director. Taylor has most recently directed the ultimate fantasy TV series, Game of Thrones, which may explain the change in setting and tone.

In fact, the opening 30 minutes or so of Thor: The Dark World are a bit bleak and low on energy, even though Thor and his band of warriors are off battling evil across the Nine Realms while Jane Foster (Portman) and Darcy Lewis (Dennings) are trying to find both Thor and their professor, Erik Selvig, who has gone AWOL.

It’s only when things have gone really bad and Thor releases Loki from his cell in the dungeons (for his crimes against the universe in Avengers Assemble) that the film really picks up speed. Tom Hiddleston really does steal the entire film from everyone; the interplay between his character and Thor, who is limited by the character’s emotional range, is really funny but also highlights the fact that it’s easier to write for a slimy villain than for a benevolent character.

However, there are some comedy Thor moments, such as him having to ask for directions while in the Tube in London (where all the plot set on Earth is based). Though the directions he is given by the commuter are probably more laughable, if you know London! The majority of the laughs come from Loki though; as the God of Mischief he is the one able to let go and have real fun with his character, especially in the scene where he shape-shifts both himself and Thor a number of times. Darcy is there for comedic effect as well, but I found her injections somewhat forced and her character grated on me very quickly.

It was good to see both Natalie Portman and Idris Elba having more to do in their roles this time round as both their stars have risen since the first film. Elba has even become so famous outside the UK that they let Heimdall take his helmet off! He also has one of the more bad-ass action sequences as he single-handedly takes down a cloaked Elvish ship with nothing but his bare hands and a couple of daggers.

The action sequences are what make this film as the plot can be a little hard to keep up with if you aren’t ‘au fait’ with the Nordic character and place names, not to mention the plot about dimensions aligning and Malekith’s plan to bring darkness to the universe again using ‘The Aether’, a strange, almost sentient, fluid that infects a host body and wields untold power. The final fight sequence leaves you breathless but, thanks to the fact Taylor has kept the film under two hours, doesn’t drag on and on like quite a few of the big super hero films of late – even if it does span dimensions.

All in all the plot is a bit all-over-the-place (but this is a sci-fi/fantasy film after all); the costume, set and world designs are spell-binding and the action sequences are thrilling and tense. This is a worthy sequel, not better than the original, but different enough that it doesn’t matter. Who knows how far the character can be taken, but judging by the two post-credit sequences he will be back in at least the next Avengers film.

P.S. The first of the two post-credit scenes stars Benicio Del Toro as The Collector, who is tasked with looking after The Aether. He will be a main villain in the upcoming Guardians of the Galaxy film due for release next year.  This film will be a mix of live action and animation with characters like Rocket Racoon (whose name speaks for itself) and Groot, a living tree. This has worried me since I heard about it as the whole universe started off based in semi-realism and seems to be heading in a very cartoonish direction. I will try to reserve judgement until a trailer is posted – but things are starting to look and sound a bit weird.

Roll on Captain America: Winter Soldier.