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Review: Beauty and the Beast

Posted in Film with tags , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2017 by Tom Austin-Morgan

What is there to say about Disney’s latest live action remake, other than it’s basically very very faithful to the original 1991 animated classic. And that makes it, disappointingly ordinary for such a magical film.

Don’t get me wrong, This film is a solid gold hit – the box office numbers prove that. But unlike The Jungle Book, which based its plot slightly more on the Rudyard Kipling stories and striped away all but two songs to make it stand apart, Beauty and the Beast doesn’t do enough to differentiate itself, much like Cindarella.

It’s quite possible that a child who has never seen the animated version will adore this version and I’m of a generation that can’t un-see the 1991 original – I was six years old when it came out, prime Disney age – because there’s an awful lot to like.

The  Beast (Dan Stevens) is scary, and in this case has been given a proper back story that makes you understand the curse put upon him and his household, although the facial design is somewhat ‘off’.

Emma Watson turns in a fine performance as Belle, although she has more of a girl-next-door vibe about her, rather than a classic Disney Princess. Also, the autotuning of her voice detracts from her musical numbers somewhat, especially the iconic ‘Provincial Life’.

The supporting cast is incredibly strong, especially Kevin Kline as Belle’s father, Maurice. The voice talents of Ewan McGregor, Ian McKellen, Emma Thompson, Haydn Gwynne and the unrecognisable Stanley Tucci are perfect as are the animations of each character.

The absolute show-stealers though are Luke Evans and Josh Gadd as Gaston and LeFou. Originally the casting of Evans was a little underwhelming, but he really throws himself into the role of this brash, alpha male ad although much was made in the media about LeFou being Disney’s first overtly gay character, there was only very subtle evidence of this on-screen. Gadd’s comedic chops more than make up for this however. Their slightly-more-than-bromance is a delight to watch.

The songs are largely indestructible and feel required rather than shoe-horned in and the updated compositions and minor changes to some of the lyrics are brilliant, especially the additions to Gaston’s song. Even the added song that the Beast sings is a good addition, as are the scenes added to give a bit more depth to the characters. It all largely works. The problem is that nothing feels like it’s added overall.

If the original didn’t already exist this would be brilliant, but because it does and this adds nothing of substance it just feels ordinary. Still very much worth a watch though.